Yomi Braester
courses previously taught at the University of Washington

for current and upcoming courses, check here>>

 
 

 

 

 


Winter 2013:

d
  CLIT 596 History of Chinese Cinema: A Graduate Course

 


Autumn 2012:

C LIT 271 Film: Directors
 FROM ART-HOUSE TO MARTIAL ARTS FILMS:
 Film Director Zhang Yimou
virtual existence

 

 


Summer 2012:

 CLIT 397 Film in the digital age: parables of virtual existence

 


Spring 2012:

 CLIT 313 Contemporary Cinema

 


Winter 2012:

CLIT 322 Testimony and Allegory

 

 CLIT 596 Cinephilia: Cinematic Experience in Historical Context

 


Autumn 2011:

 


Spring 2011:

 




Winter 2011:

 


Autumn 2010:

 


Spring 2010:

 

 


Autumn 2009:

  C LIT 272 Perspectives on Film: Genre
  East Asian Martial Arts Films


Spring 2009:

Comparative Literature 313A: Contemporary Cinema
Contemporary Cinema and the International Film Festival Circuit



Winter 2009:


Autumn 2008:

C LIT 315 National Cinemas
Chinese Film: A Cinema of Disjunction


Spring 2008:

C LIT 596 Special Topics in Comparative Literature
Is Cinema a Universal Language?


Winter 2008:

C LIT 272 Perspectives on Film: Genre
Asian Martial Arts Films


Autumn 2007:

 C LIT 322 Studies in Asian and Western Literatures
Testimony and Allegory in World Literature

 

 

C LIT 302 Theory of Film: Critical Concepts
Theories of Third Cinema


Summer 2007:

 


Spring 2007:

C LIT 313 Contemporary Cinema (1989-present)
Contemporary Cinema and the International Film Festival Circuit

 

Winter 2007:

 

 C LIT 596 Special Topics in Comparative Literature / Chinese 560 Pro-seminar in Chinese
Chinese Cinema: A Graduate-level Introduction
 


Summer 2006:

 

 
   
 

 

 
 


Spring 2006:

 

 
 
(DANZ COURSE, CO-TAUGHT WITH VIKRAM PRAKASH):
Architectural and Cinematic Spaces
 
 

 

 
 
C LIT 313 Contemporary Cinema (1989-present)
Contemporary Cinema and the International Film Festival Circuit
 
 


Winter 2006:

 

 
 
C LIT 272 Perspectives on Film: Genre
Asian Martial Arts Films
 
 

 

 
 
C LIT 596 Special Topics in Comparative Literature
/ Chinese 560 Pro-seminar in Chinese

The Figure of History in Modern Chinese Fiction and Film
 
 


Early Autumn 2005:

 
 
(EXPLORATION SEMINAR IN BEIJING):
C LIT 322 Studies in Asian and Western Literatures
Beijing in the Streets, on the Stage, and on Screen
 
 

 

 
 


Spring 2005:

 
 
C LIT 272 Perspectives on Film: Genre
Asian Martial Arts Film
 
 
 
 
Winter 2005:
 
 

Chinese 482 Pro-seminar in Chinese
Modern Chinese Drama (in Chinese)
 
 


Autumn 2004:

 
   
 

C LIT 596 Special Topics in Comparative Literature
What Is Comparative Literature? An Open-ended Question
 
 

Early Autumn 2004:

 
 
(EXPLORATION SEMINAR IN BEIJING):
C LIT 322 Studies in Asian and Western Literatures
Beijing in the Streets, on the Stage, and on Screen
 
 

Winter 2004:

 
   
 

Autumn 2003:

 
 
C LIT 322 Studies in Asian and Western Literatures
Modern Chinese Drama and the Historical Imagination
 
 

Winter 2003:

 
 
C LIT 271A (1898) Perspectives on Film: Great Directors
What Makes a Great Director? A World Cinema Perspective
 
 

Autumn 2002:

 
 
C LIT 322 Studies in Asian and Western Literatures
 
 

C LIT 596 Special Topics in Comparative Literature
Cinema, Space, Memory
 
 

Winter 2002:

 
 
C LIT 271A (1898) Perspectives on Film: Great Directors
What Makes a Great Director? A World Cinema Perspective
 
 
Autumn 2001:

 
 
C LIT 322 Studies in Asian and Western Literatures / C LIT 397 SPEC TPCS CIN STD
The Urban Imagination in Chinese Literature and Film:
From Shanghai Decadence to Beijing Punks
 
   
 

Spring 2001:

 
 
C LIT 322 Studies in Asian and Western Literatures
 
 

Winter 2001:

 
 
C LIT 397 SPEC TPCS CIN STD (VLPA) 1904
 
   
 

Autumn 2000:

 
   


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