C LIT 271A (1890-1895)
Perspectives on Film: Great Directors

What Makes a Great Director?
A World Cinema Perspective

We love films, we love people who love films, and we love films that are in love with other films. How do directors express their love for movies? What is the role of cinematography, genre, acting, dialog and ideology in making a great film? The course examines these questions through the works of directors around the world, with special focus on Chinese director Zhang Yimou, whose breathtaking cinematography and riveting plots have gained world-wide recognition and made Zhang one of the world's most appreciated directors.

1/1/ FINAL TERM PAPER ASSIGNED
grading criteria Writing Worth Reading

Hours: MTWTh 1:30-2:50*
and one hour on Friday (varies)

Classroom: MGH 389
Friday classroom varies

5 credits

*NOTE ON MEETING TIME: Most meetings will take one and a half hours; screenings may run a bit over 90 minutes (which is the reason for listing the course as 2 hours a day)

Instructor:	Yomi Braester (yomi@u.washington.edu)
Section leaders (TAs):	Travis Feldman (tfeldman@u.washington.edu), Gossamer Kuik (gossamer@u.washington.edu), Hazel Tang (doraemon@u.washington.edu)
office:	C-504 Padelford
office hours:	Instructor: TTh 3-4 pm and by appointment. Students are encouraged to notify the instructor by e-mail
	TAs: by appointment at times announced toward midterm and final
course website:	http://faculty.washington.edu/yomi/greatdirectors.html

Assignments
Grading Components
Policies and Procedures
Readings
Class Schedule

Assignments

All assignments must be completed and handed in on time. Students are very strongly advised to attend all lectures and discussion sections. They are also encouraged to attend the scheduled in-class screenings. The main component of homework consists of viewing each film before the relevant lectures and discussion.

Written assignments:
     (1) In-class responses: At the end of each lecture and each discussion section, students are required to write a half-page response to specific issues discussed in class and hand them in to their respective section leaders. During the term each student should hand in 28 responses (in other words, 2 responses may be skipped without penalty).
    Consistently excellent responses will be awarded through the section participation bonus, at the section leader's discretion.
    (2) Reading responses: Each student should hand in a reading response, of approximately one page, on a topic assigned by the instructor or section leader and based on the textbook, at the end of each Thursday lecture. The responses should be handed to the respective section leader and must be typed.
    (3) Mid-term and final papers: the papers, each 4-6 pages long, should answer specific questions on an assigned film sequence. Writing technique and grading criteria will be discussed in detail in the Friday sections.

Grading components

in-class responses	(28 x 0.5)		14
Reading responses	(10 x 1)		10
section participation bonus		up to	8
Mid-term paper			38
Final paper			38

Policies and Procedures

In exceptional cases, late submissions may be approved by the instructor or section leader. Under usual circumstances, late submissions will be accepted only when the students can demonstrate circumstances beyond their control.
      All assignments, except in-class responses, must be typed. To ensure a standard length, please make sure to use Times New Roman font, size 12, double-spaced, with page margins not exceeding 1.25 inches on each side.
      The course adheres to UW’s rules on plagiarism.
      Students with disabilities are encouraged to inform the instructor or section leaders, who will do their best to provide the relevant accommodations.

Assigned texts and movies

Text:

Louis Gianetti, Understanding Movies
(available at the University Bookstore):

Films, on reserve at the Odegaard Media Center:

Zhang Yimou:
- Ju Dou (1990, 95 mins)
- Raise the Red Lantern (1991, 125 mins)
- Lifetimes (1994, 125 mins)
- Shanghai Triad (1995, 103 mins)
- Not One Less (1999, 106 mins)
- The Story of Qiuju (1992, 110 mins)

Chen Kaige:
- Farewell My Concubine (1993, 170 mins)
- The Emperor and the Assassin (1999, 160 mins)

Other:
- Lumiere et compagnie (1995, 88 minutes)
NOTE: The Road Home (1999) is not available in the library yet.

Suggested readings, on reserve at the Odegaard Library:

Rey Chow. Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema New York: Columbia University Press, 1995.
Transnational Chinese Cinemas: Identity, Nationhood, Gender, edited by Sheldon Hsiao-peng Lu. Honolulu: University of Hawaii Press, 1997.
Zhang Yimou: Interviews, edited by Frances Gateward. Jackson : University Press of Mississippi, 2001.

other films by Zhang and Chen, on reserve at the Media Center:
Zhang Yimou:
Red Sorghum
Keep Cool (no English subtitles)

Chen Kaige:
Life on a String
King of Children

Zhang Yimou on the Web:
A fan's page
Another fan's page
TIME Asia on Zhang's upcoming film

CLASS SCHEDULE (subject to change)

week 1
Monday, 1/7	Discussion lecture outline
Tuesday, 1/8	Screening: Lumiere et compagnie
Wednesday, 1/9	No class
Thursday, 1/10	Discussion lecture outline Question for reading response due today
Friday, 1/11	Group discussion

week 2
Monday, 1/14	Screening: Raise the Red Lantern (I)
Tuesday, 1/15	Screening: Raise the Red Lantern (II)
Wednesday, 1/16	Discussion lecture outline
Thursday, 1/17	Discussion lecture outline Question for reading response due today
Friday, 1/18	Group discussion

week 3
Monday, 1/21	Martin Luther King Day -- NO CLASS
Tuesday, 1/22	Screening: Ju Dou
Wednesday, 1/23	Discussion lecture outline
Thursday, 1/124	Discussion lecture outline Question for reading response due today
Friday, 1/25	Group discussion

week 4
Monday, 1/28	Screening: Farewell My Concubine (I)
Tuesday, 1/29	Screening: Farewell My Concubine (II)
Wednesday, 1/30	Discussion lecture outline
Thursday, 1/31	Discussion lecture outline Question for reading response due today
Friday, 2/1	Group discussion midterm essay question announced Grading criteria; Writing Worth Reading

week 5
Monday, 2/4	Screening: Story of Qiuju (I)
Tuesday, 2/5	Screening: Story of Qiuju (II)
Wednesday, 2/6	Discussion lecture outline
Thursday, 2/7	Discussion lecture outline Question for reading response due today
Friday, 2/8	Group discussion

week 6
Monday, 2/11	Screening: Lifetimes (I)
Tuesday, 2/12	Screening: Lifetimes (II)
Wednesday, 2/13	Discussion lecture outline
Thursday, 2/14	Discussion lecture outline Question for reading response due today
Friday, 2/15	Group discussion
	MIDTERM PAPER DUE (extensions must be approved by instructor beforehand)

week 7
Monday, 2/18	Presidents Day - NO CLASS
Tuesday, 2/19	Screening: The Road Home
Wednesday, 2/20	Discussion lecture outline
Thursday, 2/21	Discussion lecture outline Question for reading response due today
Friday, 2/22	Group discussion

week 8
Monday, 2/25	Screening: The Emperor and the Assassin (I)
Tuesday, 2/26	Screening: The Emperor and the Assassin (II)
Wednesday, 2/27	Discussion lecture outline
Thursday, 2/28	Guest lecture: Chris Berry Question for reading response due today
Friday, 3/1	Group discussion final term paper assigned

week 9
Monday, 3/4	Discussion lecture outline
Tuesday, 3/5	No class
Wednesday, 3/6	Screening: Shanghai Triad (II)
Thursday, 3/7	Screening: Shanghai Triad (I)
Friday, 3/8	Group discussion Question for reading response due today

week 10
Monday, 3/11	Screening: Not One Less
Tuesday, 3/12	Discussion lecture outline
Wednesday, 3/13	Discussion lecture outline Question for reading response due today
Thursday, 3/14
Friday, 3/15	Group discussion

Monday, 3/18	FINAL PAPER DUE (extensions must be approved by instructor beforehand)

What Makes a Great Director? A World Cinema Perspective

week 1

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week 7

week 8

week 10

What Makes a Great Director?
A World Cinema Perspective