Textbooks

Gillis-Bridges, Kimberlee.  Reading Packet for English 345.  Available at Professional Copy N’ Print on the northeast corner of 42nd and University.

Available for check-out from Kimberlee:  Kolker, Robert.  Film, Form, and Culture CD-ROM [Top]

Reserve Texts

I have placed one course article on electronic reserve and  a sizeable collection of books on three-day reserve at Odegaard Undergraduate Library.  These books should prove valuable as you conduct research for presentations, role-plays, and profiles. [Top]

Films

Film titles in bold are on reserve at the Odegaard Media Library.  Film titles followed by an asterisk are available on reserved compilation tapes.  Along with the films listed, I have placed on reserve additional works by course directors.   All links go to the Internet Movie Database page on the linked film or director.

• The Bigamist (Ida Lupino, 1953, 80 minutes)
• The Blot (Lois Weber, 1921, 80 minutes)
• Blue Steel (Kathryn Bigelow, 1990, 102 minutes)
• Boys Don’t Cry (Kimberly Peirce, 1999, 118 minutes)
• Christopher Strong (Dorothy Arzner, 1933, 77 minutes)
• The Cinematic Jazz of Julie Dash (Yvonne Welbon, 1992, 26 minutes)
• Cléo de 5 à 7 (Agnès Varda, 1962, 90 minutes)
• Clueless (Amy Heckerling, 1995, 97 minutes)
• Craig’s Wife (Dorothy Arzner, 1936, 73 minutes)
• Daughters of the Dust (Julie Dash, 1991, 112 minutes)
• Fast Times at Ridgemont High (Amy Heckerling, 1982, 90 minutes)
• Film About a Woman Who . . . (Yvonne Rainer, 1974, 105 minutes)
• The Hitch-Hiker (Ida Lupino, 1953, 71 minutes)
• How Men Propose* (Lois Weber, 1913, 6 minutes)
• Illusions (Julie Dash, 1982, 34 minutes)
• Maedchen in Uniform (Leontine Sagan, 1931, 88 minutes) 
• Making an American Citizen* (Alice Guy Blachè, 1912, 14 minutes)
• Marianne and Juliane (Margarethe Von Trotta, 1981, 106 minutes)
• Matrimony’s Speed Limit* (Alice Guy Blachè, 1913, 14 minutes)
• Meshes of the Afternoon* (Maya Deren, 1943, 18 minutes)
• Not Wanted (Ida Lupino, 1949, 94 minutes)
• Officer Henderson (Alice Guy Blachè, 1913, 12 minutes)
• Olympia, Parts I and II (Leni Riefenstahl, 1936-1938, 199 minutes)
• Point Break (Kathryn Bigelow, 1991, 122 minutes)
• Ritual in Transfigured Time* (Maya Deren, 1946, 15 minutes)
• Sink or Swim (Su Friedrich, 1990, 48 minutes)
• A Study in Choreography for Camera* (Maya Deren, 1945, 4 minutes)
• Tender Fictions (Barbara Hammer, 1995, 58 minutes)
• Triumph of the Will (Leni Riefenstahl, 1934, 114 minutes)
• The Watermelon Woman (Cheryl Dunye, 1996, 90 minutes)