The United States produced some of the world's greatest drama during the Twentieth Century. In this course, we will analyze several of the most influential plays from the 1930s to the 1990s to see how some great artists--Lorraine Hansberry, David Henry Hwang, Tony Kushner, Arthur Miller, Eugene O'Neill, Tennessee Williams, and August Wilson--convey their observations about some of the deepest human issues of their time or any other.
By the end of
this course, you should be able to analyze, with detail and complexity,
some of the key concepts in the study of literature, especially drama,
and to apply the
interdisciplinary methods of American studies to such analyses. In
other words, you are developing, simultaneously, historical and
cultural knowledge and the skills to understand it. You also will hone
your speaking and writing abilities and your use of technology in the
pursuit of understanding and the communication of ideas.
This course is not
meant to be a complete survey of twentieth-century American literature,
an impossible task. Rather, we will read selectively but carefully,
making connections from the chosen works to others and to forces and
events in America's most recent century, focusing on the genre of the
play.
I strongly recommend that Interdisciplinary Studies students take
BIS 300
before enrolling in this course. Previous coursework in
textual studies (e.g., literature or cinema) is helpful but unnecessary.
Some plays deal with mature subject matter that might make some students uncomfortable. Students who are not easily offended or who feel able to deal with emotional discomfort for the purpose of learning are welcome in this course. Note, also, that university work typically entails encounters with materials and ideas that some may view as offensive in some way. It is impossible for any one person to anticipate every way in which a member of a learning community will respond to any given stimulus. As a professional, I promise to do my best to select materials that offer significant learning opportunities, and to explicate the learning outcomes that I hope for through the use of such materials. You have a right to know why you are doing the work that I assign, and I have the responsibility to make my goals clear. Your responsibility is to try to work through whatever discomfort or confusion or even offense that you might feel in order to learn as much as you can from the experience. I recognize students' responses--cognitive, emotional, and evaluative--to be valid. Ultimately, however, I ask you to recognize that stressing your mind makes it stronger, just as stressing a muscle makes it stronger. Also, please recognize that I do not necessarily like or agree with materials that I present. I present them only because I think that they offer learning opportunities. Please do not assume that I advocate a point of view represented in the materials that I assign.
Students in this course will be required to attend one play
at a
professional theater in Seattle on the evening of Thursday, April 26, at
a deeply discounted student rate of approximately $10.00 per ticket.
Course texts (available in the UWB Bookstore [save your receipts for a patronage refund] and in library reserve/reference). Note: Click here <http://tinyurl.com/6pamk> to order books online. Click on the link for the appropriate quarter, then enter the line number (LN) shown at the top of this page for "UW SLN Code" (leave other spaces blank) and hit 'enter.' All items have been ordered; contact the bookstore if some materials are not listed.
Grading: Your grade will be based on these assignments, which are described on separate pages online (links will be activated when ready):
Essay (1000-1250 words, due in midquarter learning
portfolio at 1:05 p.m. on Apr. 26; final, graded
version due in final portfolio at 1:05 p.m. on May
29) 30% Group
discussion leadership
(dates to be
assigned ) 30% Learning
portfolio
(including
a reflective paper of 600-1000 words, due in Catalyst at 1:05 p.m. on May
29 [ungraded midquarter portfolio
due in Catalyst at 1:05 p.m. on Apr. 26]) 10% 30% TOTAL 100%
A note about grades: I know that students often need to juggle school, work, family, and other obligations. I never second-guess students' priorities, and I never think less of students who choose to devote more time and effort to one of these other obligations rather than to an assignment or the course as a whole. I respect the maturity of students who establish their priorities, make difficult choices, and accept the consequences of those decisions. Also, remember that your grade is based solely on my professional assessment of the quantity and quality of your work, not on your effort or on my opinion of you as an individual.
For an explanation of the University of
Washington grading system, see <http://www.washington.edu/students/gencat/front/Grading_Sys.html>. Your weighted grades on
assignments will be converted to grade points according to the course grade
scale in the "Course Documents" area of
Blackboard.
Schedule:
|
by beginning of class |
|
Tu 3/27 | Introduction | |
Th 3/29 |
"Policy"*; Cohn* |
Discuss Cohn; introduce essay assignment; introduce group discussion leadership assignment |
Tu 4/03 |
Caldwell* |
Discuss Caldwell |
Th 4/05 |
O'Neill |
View Arthur Miller: A Conversation with Mike Wallace (45 min., DVD BOT-690); introduce learning portfolio assignment |
Tu 4/10 |
Work on essay |
NO CLASS MEETING; recommended: group presentation meeting |
Th 4/12 |
Work on essay |
Discuss O'Neill |
Tu 4/17 |
Miller |
View Eugene O'Neill, 1888-1953 (30 min., KUL 067); small group meetings |
Th 4/19 | Work on essay |
Discuss Miller (Group 1 leads) |
Tu 4/24 |
Williams | NO CLASS MEETING; recommended: group presentation meeting |
Th 4/26 |
Midquarter portfolio (including essay ) due at 1:05 p.m. sharp |
ViewTennessee Williams: Orpheus of the American Stage (97 min., DRA-82); see Gem of the Ocean at Seattle Repertory Theatre (7:30 p.m.) |
Tu 5/01 |
View Lorraine Hansberry: The Black Experience in the Creation of Drama (Campus Media Center reserves, 35 min., BOT-480) |
Discuss Williams (Group 2 leads) |
Th 5/03 |
Hansberry |
NO CLASS MEETING; work on essay revision |
Tu 5/08 |
Work on essay revision |
Discuss Hansberry (Group 3 leads) |
Th 5/10 |
Wilson | View August Wilson (52 min., TBA) |
Tu 5/15 |
Work on essay revision |
Discuss Wilson (Group 4 leads) |
Th 5/17 |
Hwang |
Discuss Hwang (Group 5 leads) |
Tu 5/22 | Work on learning portfolio | NO CLASS MEETING; work on learning portfolio |
Th 5/24 |
Kushner |
Discuss Kushner (Group 6 leads) |
Tu 5/29 |
Learning portfolio , including final essay , due at 1:05 p.m. sharp |
Conclusion; course evaluations |
Th 5/31 |
|
Optional class team-building exercise |
Reserves list (except as noted, in the "Course Documents" area of Blackboard ):
This schedule is subject to
change. The most current schedule will always be posted here <http://faculty.washington.edu/davidgs/BIS371Syl.html> for your reference, and changes will be
announced in class, by e-mail, or both. This course requires a learning
portfolio instead of a final examination.
About course policies:
Please carefully read the
"Course Policies" at<
http://faculty.washington.edu/davidgs/Policies.html>,
which I consider to
be part of this syllabus.
About class communication:
Please carefully read the "Class Communication" document at <http://faculty.washington.edu/davidgs/Communication.html>, which I consider to be part of this syllabus.
About contribution:
Please carefully read the "Class Contribution" document at < http://faculty.washington.edu/davidgs/Partic.html >, which I consider to be part of this syllabus.
Welcome to the course!
This page last updated April 6, 2007.