Handout for "Have They Kept Doing It"--
a Presentation at the
International Society for the Scholarship of
Teaching and Learning,
Sydney, Australia, July 2-5, 2007
An Introduction to the 4x4 Initiative
What is Writing-Integrated Course Design?
Traditionally, the teaching of writing at the University
of Washington has been the province of the English department. Faculty
in other areas have also assigned writing, of course, but once through
“freshman English,” many students have graduated without
being regularly challenged to develop strong writing skills. This is
now changing. We in the College of Arts and Sciences have come to understand
that traditional writing instruction by itself can offer only an introduction
to successful college-level writing. If students are to graduate as
strong writers in their fields they will also have to write regularly,
in a variety of classes, throughout their entire undergraduate careers.
Writing-integrated instruction
Central to the approaches we have developed to reach the
goal of better student writing all across the College is the concept
of writing-integrated instruction—a strategy for building writing
assignments into courses throughout the curriculum in ways that significantly
boost student learning even as they also improve student writing. Because
designing writing-integrated courses requires new methods for creating
and managing writing assignments, the College has promoted the concept
through a variety of faculty seminars; we have also developed the 4x4
Initiative—an assignment design program that engages groups of
up to 4 faculty from each of 4 departments in a set of workshops staged
throughout the school year.
What is writing-integrated instruction, and how does
it differ from traditional instruction?
One Year Later: Comments from 2004-5 4x4 Faculty, Winter Quarter
2006
Jan Slavik, Scandinavian:
Thank you for the experience of the 4x4 program last year….
my teaching has been significantly transformed and the written work
of the students very significantly improved.
Rick Bonus, American Ethnic Studies:
I've spread the word regarding alternative pedagogies
of writing to my colleagues within and outside of my dept -- everything
I've learned in 4 x 4, especially rubric design, writing exercises,
and goal setting. You can tell that I'm … a big fan of this initiative.
Andy Nestingen, Scandinavian:
This quarter in SCAND 360/C. LIT 315, I've … received
the best student writing I've seen, and the paper load has been easy
to manage. I've become a more effective teacher by adapting the methods,
from which the students benefit, all of which makes teaching more enjoyable
and so probably more effective. These changes are the culmination of
tinkering with my teaching the last couple quarters. One result of that,
I think, was a nomination for a distinguished teaching award.
Judy Stone-Goldman, Speech and Hearing Sciences:
I want you to know that I did a class on writing and rubrics
this week in one of the 4x4 classes (Sp&H 308). It was so much better
than anything I did last year! I was so excited to see my own progress
in leading students through this. We also did peer review in what appeared
to be a successful and lively experience.
Marianne Stecher-Hansen, Scandinavian Studies:
In the course of the year-long (2004-2005) engagement
in [the 4x4 Initiative’s] workshops … many [of my] misconceptions
regarding “how to teach students to write” were dissipated.
Gradually, I discovered the real significance of the idea that students
do not need to “learn to write” but rather need to “learn
by writing.” I believe that this thinking is integral to improving
the undergraduate learning experience at the UW. Learning by writing
is not focused on the fulfillment of a formulaic schematic or an end
product; it is a matter of creating an instructional mode in which students
may respond in meaningful ways (including writing) to the challenging
questions presented in a course of inquiry.
Three Examples of Courses Re-designed by Faculty
in the 4x4 Initiative
1: Scandinavian 312: Scandinavian Literature in Translation.
• Traditional writing assignment: an 8-10 page term
paper due at quarter’s end.
• Results: functional writing without much investment
by students of enthusiasm or imagination.
• Writing-integrated assignment: a course-long sequence
of writings beginning with weekly short papers, each written as a letter
from the student to a mentor or peer, real or imagined, about the work
of literature read for the week, and eventuating in an 8-10 page interpretive
essay. As a final project students submitted a portfolio of all their
writing along with a final self- reflective essay about their learning
in the course.
• Results: significantly higher student interest
in writing assignments, along with high ratings for the course as a
whole. The interpretive papers were stronger both because (students
explained) the letters engaged them more fully in their course learning,
and because the instructor built into the new course design occasion
for students to revise their first drafts.
Instructor’s comment: “The consistently positive
feedback from students in their end-of-quarter ‘self-reflective
essays’ – not to mention the enthusiastic emails thanking
me for the course –made this one of my most (if not, the most)
rewarding teaching experiences at the UW.” (Professor Marianne
Stecher-Hansen)
2: Mathematics 441: Topology
• Traditional writing assignment: none beyond weekly
problem sets.
• Results: writing made no contribution to student
learning, and the course did not contribute to Department’s larger
goal of enabling students to graduate as effective writers of mathematical
argument.
• Writing-Integrated Assignment: a three-paper sequence
of written proofs in addition to weekly problem sets, each including
peer review and revision of first drafts.
• Results: students' proof-writing skills improved
significantly, even on the weekly problem sets not evaluated for writing
style. Students also seemed to acquire a deeper understanding of what
constitutes a valid proof than had earlier students.
Instructor comment: [I feel] adding writing-integrated
assignments in virtually any upper-level math course will dramatically
enhance the quality of our students’ education. (Professor John
Lee)
3: English 330: Literature of the Romantic Age (1796-1835).
• Traditional writing assignment: a 6-10 page paper
in which students read criticism, and then made their own argument about
a work studied in the class.
• Results: an uneven level of performance and of
student engagement. Many students saw reading older literature only
as “school learning,” not as learning for real life purposes.
• Writing-Integrated Assignment: a series of un-graded
short papers that related older literature to modern culture, and culminated
in “The Romantic Survival Project”—a 5-7 page graded
paper in which students connected their learning about 19th Century
poetry within the course to examples of contemporary culture outside
the course.
• Results: student-initiated papers that demonstrated how much
they had learned about the Romantic Age by articulating connections
of course readings to recent movies. The course’s best paper:
a comparison of Wordsworth’s 1802 poem “Resolution and Independence”
with the Coen brothers’ 1991 movie Barton Fink.
Instructor comment: Students learned more in this course
than in any class I’ve ever taught. (Professor John Webster)