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Yomi
Braester -- selected academic papers
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(a full list
of publications is available upon request)
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• “The Political Campaign as Genre: Ideology
and Iconography during the Seventeen Years Period,” Modern Languages
Quarterly 69, no. 1 (March 2008): 119–140.
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• “Excuse Me, Your Camera Is in My Face:
Auteurial Intervention in PRC New Documentary,” in Can Filmmaking
Be a Public Sphere? Documentary Film and Video in East Asia as Social
Practice, edited by Lisa Rofel, Chris Berry and Lü Xinyu (U
of Minnesota Press, 2008).
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• “The Impossible Task of Taipei Films,”
in Cinema Taiwan: State of the Art, States of the Mind, edited
by Darrel Davis and Robert Chen (Routledge, 2007), pp. 51–59.
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"Tracing
the City's Scars: Demolition and the Documentary Impulse in New Urban
Cinema," in Zhen Zhang, ed., The Urban Generation: Chinese Cinema
and Society at the Turn of the 21st Century, ed. Zhen Zhang (Duke
UP, 2007), pp. 161–180).
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“‘A
Big Dying Vat’: The Vilifying of Shanghai during the Good Eighth
Company Campaign.” Modern China 31, no. 4 (October 2005):
411–447.
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“Chinese
Cinema in the Age of Commercials Advertisement: the Filmmaker as a Cultural
Broker.” China Quarterly September 2005: 549–564.
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“Longxugou—chengshi
jingguan yu lishi jiyi” (Dragon Whiskers Creek: Urban Spectacle
and Historical Memory). in Beijing: Dushi xiangxiang yu wenhua jiyi
(Beijing: Urban imagination and cultural memory), eds. Chen Pingyuan
and Wang Dewei (Beijing: Beijing daxue chubanshe, 2005), 410–431.
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“Tales of a Porous City:
Public Residences and Private Streets in Taipei Films,” in Contested
Modernities in Chinese Literature, ed. Charles Laughlin (New York:
Palgrave, 2005), 157–170.
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"From
Real Time to Virtual Reality: Chinese Cinema in the Internet Age,"
Journal
of Contemporary China 12, no. 38 (2004): 89-104.
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"Farewell
My Concubine: National Myth and Personal Memories," in Chinese
Films in Focus: 25 New Takes, ed. Chris Berry (London: British
Film Institute, 2003), 89-96. (read a review>>)
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"'If
We Could Remember Everything, We Would Be Able to Fly': Taipei's Cinematic
Poetics of Demolition," in Modern
Chinese Literature and Culture 15, no. 1 (Spring 2003).
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"The
Future of China's Memories: An Interview with Feng Jicai," Journal
of Modern Literature in Chinese 5, no. 2 (January 2002): 131-48
(with Enhua Zhang).
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"Memory
at a Standstill: Street-Smart History in Jiang Wen's In the Heat of
the Sun," Screen
42, no. 4 (winter 2001): 350-362.
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"Revolution
and Revulsion: Ideology, Monstrosity and Phantasmagoria in Ma-Xu Weibang's
Film Song at Midnight," Modern
Chinese Literature and Culture 12: 1 (Spring 2000): 81-114.
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"Taiwan rentong yu jiyi de weiji: Jiang hou de shenqi gushi" (Taiwanese
Identity and the Crisis of Memory: Post-Chiang Mystery), in Liu Jihui,
ed., Duanlie yu yanxu: Taiwan wutai shang wenhua jiyi de zhanyan
(Disruption and continuity: the development of cultural memory on the
Taiwan stage) (Taipei: Maitian, 2000).
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"Modern
Identity and Karmic Retribution in Clara Law's Reincarnations of Golden
Lotus," Asian
Cinema 10: 1 (Fall 1998): 58-61.
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"Shanghai's
Economy of the Spectacle: The Shanghai Race Club in Liu Na'ou's and Mu
Shiying's Stories," Modern
Chinese Literature 9:1 (Spring 1995): 39-57. |
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