Long March Project artists at Lugu Lake, 2002.

Feminist ethnography, oral history and art history; transnational feminist formations; visual and expressive culture; visual anthropology; digital humanities; China, East Asia, Asian America

These interests reflect my larger concerns with how various forms of cultural expression—especially visual and narrative—shape social categories and are deeply enmeshed in social, political, and economic relations and struggles. I am also committed to scholarship that includes both visual and textual forms of production and to collaborations that can extend such scholarship to public audiences.