| 2004 | |||
| Village Theatre, Issaquah | SOUTH PACIFIC | Steve Tomkins, Director | Settings |
| A Contemporary Theatre, Seattle | ENCHANTED APRIL | Warner Shook, Director | Settings |
| Arizona Theatre Company | THE UNDERPANTS | Jon Jory, Director | Settings |
San Jose Repertory Theatre |
|||
| Seattle Opera | ARIADNE AUF NAXOS | Chris Alexander, Stage Director | Settings |
| Gerard Schwartz, Conductor | Settings | ||
| RIGOLETTO [III] | Linda Brovsky, Stage Director | Settings | |
| Eduardo Muller, Conductor | Settings | ||
| 2003 | |||
| A Contemporary Theatre, Seattle | OMNIUM GATHERUM | Jon Jory, Director | Settings |
| Seattle Opera | FIDELIO | Chris Alexander, Stage Director | Settings |
| Gerard Schwastz, Conductor | |||
| 2002 | |||
| Village Theatre, Issaquah | THE SOUND OF MUSIC | Stephen Terrell, Director | Settings |
| Seattle Children's Theatre | THE BIG FRIENDLY GIANT | Steve Pearson, Director | Settings |
| Alliance Theatre, Atlanta | THE GAME OF LOVE AND CHANCE | Jon Jory, Director | Settings |
| 2001 | |||
| Seattle Opera | SALOME | Sharon Ott, Stage Director | Settings |
| Gerard Schwartz, Conductor | |||
| 2000 | |||
| U. W. Summer Arts Festival | HAMLET | Susan Finque, Director | Settings |
| Seattle Opera | BORIS GUDONOV | George Manahan, Conductor |
Settings |
| 1999 | |||
| Village Theatre, Issaquah WA | THE PIRATES OF PENZANCE | Stephen Terrell, Director | Settings |
| Intiman Theatre, Seattle | SKYLIGHT | Victor Pappas, Director | Setting |
| A QUESTION OF MERCY | Victor Pappas, Director | Settings | |
| Sacramento Theatre Company | SKYLIGHT | Victor Pappas, Director | Setting |
| Alliance Theatre, Atlanta | ARCADIA | Peggy Shannon, Director | Setting |
| 1998 | |||
| Village Theatre, Issaquah WA | MY FAIR LADY | Stephen Terrell, Director | Settings |
| Intiman Theatre, Seattle | GROSS INDECENCY | Victor Pappas, Director | Settings |
| FULL GALLOP | Warner Shook, Director | Setting | |
| 1997 | |||
| Intiman Theatre, Seattle | PRIVATE LIVES | Warner Shook, Director | Setting |
| On the Boards, Seattle | OPIUM | Kenji Suzuki, Director | Setting |
| A Contemporary Theatre, Seattle | OLD WICKED SONGS | Leslie Swackhammer, Director | Setting |
| NINA VARIATIONS | Steven Dietz, Director | Setting | |
| THE NOTEBOOK OF TRIGORIN | Micheal Breault, Director | Settings | |
| Royal Danish Opera, Copenhagen | DIALOGUES DES CARMELITES | Jan Latham-Koenig, Conductor |
Settings, Costumes |
| 1996 | |||
| Intiman Theatre, Seattle | SMASH | Victor Pappas, Director | Settings |
| A Contemporary Theatre, Seattle | ARCADIA | Peggy Shannon, Director | Settings |
| 1995 | |||
| Intiman Theatre, Seattle | BETRAYAL | Victor Pappas, Director | Settings |
| THREE TALL WOMEN | Warner Shook, Director | Settings | |
| Seattle Opera | RIGOLETTO | Phillip Kelsey, Conductor |
Settings |
| 1994 | |||
| American Repertory Theater, Boston | ORESTEIA | Francois Rochaix, Director | Setting |
| Intiman Theatre, Seattle | HAY FEVER | E.P. Call, Director | Setting |
| Bathhouse Theatre, Seattle | AN ITALIAN STRAW HAT | Anred Zaslove, Director | Setting |
| 1993 | |||
| Asolo Theatre, Sarasota | KING LEAR | Margaret Booker, Director | Setting |
| Group Theatre, Seattle | A, MY NAME IS STILL ALICE | Jacki Moscou, Director | Setting |
| A SNOWFLAKE AVALANCHE | mark Lutwak, Director |
Setting |
|
| Grand Theatre de Geneve | DIALOGUES DES CARMELITES | Michel Plasson, Conductor |
Settings, Costumes |
| 1992 | |||
| Seattle Opera | COSI FAN TUTTE | Mixmimilliano Valdes, Conductor |
Setting |
| Asolo Theatre, Sarasota | ODD JOBS | Margaret Brooker, Director | Settings, Costumes |
| Old Globe Theatre, San Diego | SCHOOL FOR HUSBANDS | Edward Payson Call, Director | Settings |
| 1991 | |||
| Fete Nonate et Un Cernier, Switzerland | VISITATIONS | Valentine Reymond, Director | Settings, Costumes |
| Den Nationale Scene, Bergen Norway | ORESTEIA | Francois Rochaix, Director | Setting, Costumes |
| 1990 | |||
| Intiman Theatre, Seattle | THE RIVALS | Elizabeth Huddle, Director | Setting |
| Manitoba Opera | COSI FAN TUTTE | David Agler, Conductor | Lighting |
| Seattle Opera | DIALOGUES DES CARMELITES | Jean Fournet, Conductor |
Setting, Costumes |
| 1989 | |||
| Calgary Opera | RIGOLETTO | Bruce Ferden, Conductor |
Setting |
| Intiman Theatre, Seattle | BORN YESTERDAY | Elizabeth Huddle, Director | Setting |
| 1988 | |||
| Seattle Repertory Theatre | DANGER, MEMORY! | Thomas Bullard, Director | Setting, Lighting |
| Intiman Theatre, Seattle | HARD TIMES | Elizabeth Huddle | Setting |
| Seattle Opera | RIGOLETTO | Bruce Ferden, Conductor |
Settings |
| 1987 | |||
| Pennsylvania Opera Theatre | THE MAGIC FLUTE | Barbara Silverstein, Director | Setting |
| Pacific Northwest Ballet, Seattle | SEATTLE SLEW | Kent Stowell, Choreographer | Setting |
| 1986 | |||
| Seattle Repertory Theatre | THE REAL THING | Paxton Whitehead, Director | Settings |
| Edmonton Opera | COSI FAN TUTTE | David Agler, Conductor |
Lighting |
| Seattle Opera | COSI FAN TUTTE | Gerard Schwartz, Conductor |
Settings |
| 1985 | |||
| Seattle Opera | MANON | Manual Rosenthal, Conductor |
Settings |
| San Jose Repertory Theatre | AMADEUS | Margaret Brooker, Director | Settings |
| Opera Grand Rapids | DIE ZAUBERFLOTE | Leo Driehuys, Conductor |
Settings |
| Seattle Repertory Theatre | MASTER HAROLD AND THE BOYS | Edward Hastings, Director | Lighting |
| Long Wharf Theatre | SHIVAREE | Daniel Sullivan, Director | Setting |
| Seattle Opera | THE BALLAD OF BABY DOE | Russel Patterson, Conductor |
Settings |
| A Contemporary Theatre | TOP GIRLS | Sharon Ott, Director | Settings |
| 1983 | |||
| Seattle Repertory Theatre | SHIVAREE | Daniel Sullivan, Director | Setting |
| THE ADVENTURES OF HUCKLEBERRY FINN | James Mammerstein, Director | Settings | |
| TRANSLATIONS | Robert Egan, Director | Costumes | |
| TAKING STEPS | Daniel Sullivan, Director | Setting | |
| Oregon Contemporary Theatre, Portland | CANDIDA | Sharon Ott, Director | Setting, Costumes |
| Intiman Theatre, Seattle | THE RIBADIER SYSTEM | Nagle Jackson, Director | Setting |
| A Contemporary Theatre | EDUCATING RITA | Sharon Ott, Director | Setting |
| 1982 | |||
| Seattle Repertory Theatre | ROMEO & JULIET | Daniel Sullivan, Director | Settings, Lighting |
| MAJOR BARBARA | Daniel Sullivan, Director | Settings, Lighting | |
| BEDROOM FARCE | Daniel Sullivan, Director | Settings, Lighting | |
| Intiman Theatre Company | WILD DUCK | Margaret Booker, Director | Settings |
| Opera Grand Rapids | CARMEN | Christopher Nance, Conductor |
Settings |
| 1981 | |||
| Seattle Repertory Theatre | TINTYPES | Judith Haskell, Director | Settings |
| ANOTHER PART OF THE FOREST | Edward Hastings, Director | Setting | |
| AH WILDERNESS | Daniel Sullivan, Director | Settings | |
| Intiman Theatre, Seattle | THE ROSE TATTOO | George Kovach, Director | Setting |
| A TOUCH OF THE POET | Margaret Booker, Director | Setting | |
| 1980 | |||
| Seattle Repertory Theatre | AN ENEMY OF THE PEOPLE | Daniel Sullivan Director | Settings, Lighting |
| SPOKESONG | Richard Gershman, Director | Setting, Costumes | |
| 1979 | |||
| Seattle Repertory Theatre | SIDE BY SIDE BY SONDHEIM | Judith Haskell, Director | Setting |
| CATSPLAY | Duncan Ross, Director | Setting | |
| Intiman Theatre, Seattle | MEDEA | Margaret Booker, Director | Setting, Costumes |
| HEARTBREAK HOUSE | Anthony Cornish, Director | Settings | |
| David YH Lui Productions, Vancouver BC | JACQUES BREL | Derek Goldsby, Director | Lighting |
| Belfry Theatre, Victoria BC | SIDE BY SIDE BY SONDHEIM | Judith Marcuse, Director | Lighting |
| Bathhouse Theatre, Seattle | THE MARRIAGE OF M. BARILLON | Ted D'Arms, Director | Settings |
| The Group, Seattle | STEAMBATH | Robert Egan, Director | Setting |
| 1978 | |||
| Seattle Repertory Theatre | THE SHOWOFF | Jack Going, Director | Setting |
| THE ROYAL FAMILY | Daniel Sullivan, Director | Setting | |
| Intiman Theatre Company | TOYS IN THE ATTIC | Margaret Booker, Director | Setting |
| PLAYBOY OF THE WESTERN WORLD | Pat Patton, Director | Setting | |
| A MOON FOR THE MISBEGOTTEN | Margaret Booker, Director | Setting | |
| Pacific Northwest Ballet, Seattle | SYMPHONY IN C | Kent Stowell, Choreographer | Setting, Costumes |
| OVER THE WAVES | Keny Stowell, Choreographer | Setting | |
| American Conservatory Theatre, San Francisco | KNOCK, KNOCK | Tom Moore, Director | Setting |
| 1976 | |||
| American Conservatory Theatre | MAN AND SUPERMAN | Jack O'Brian, Director | Settings |
| Intiman Theatre, Seattle | ELEKTRA | Margaret Booker, Director | Setting |
| Seattle Repertory Theatre | PRIVATE LIVES | Duncan Ross, Director | Settings |
| THE LAST MEETING OF THE KNIGHTS OF TEH WHITE MAGNOLIAS | Harold Scott, Director | Setting | |
| 1975 | |||
| Intiman Theatre, Seattle | UNCLE VANYA | Margaret Booker, Director | Setting |
| Seattle Repertory Theatre | WALTZ OF THE TOREADORS | Harold Scott, Director | Settings |
| THE SKIN OF OUR TEETH | Edward Payson Call, Director | Settings | |
| Intiman Theatre, Seattle | CANDIDA | Margaret Booker, Director | Setting, Lighting |
| TANGO | Margaret Booker, Director | Setting, Lighting | |
| MISS JULIE | Margaret Booker, Director | Setting, Lighting | |
| 1973 | |||
| Intiman Theatre, Seattle | THE UNDERPANTS | Margaret Booker, Director | Setting |