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Books:
- The
Genealogy of the Romantic Symbol (Oxford
University
Press, 2007) (Corrigenda:
downloadable as
a PDF file in letter
size or A4
size)
Read the review in Times
Higher Education
- Editor, Fearful
Symmetry, vol. 14 of the Collected
Works of Northrop Frye (University of Toronto Press,
2004) (Corrigenda:
p. 82 n. 51: for Propety read Property; p.
197 n. 17: the note should have specified that the story of Giotto's
circle is in Vasari's Life; p. 497 (index): add Hadrian,
433n.25; p. 506 (index s.v. Paine): date of The Age of Reason should
be 1795.)
- Co-editor
with Paul Magnuson and Raimonda Modiano, Norton
Critical Edition of Coleridge's Poetry and Prose (New
York: Norton, 2003) (Corrigenda
will be incorporated in future printings; users of the edition are
asked to notify me of any they discover)
- Assistant
editor, Opus Maximum, vol. 15 of The
Collected Works of Samuel Taylor Coleridge (Princeton University
Press, 2002) (I
edited the text; prepared the textual apparatus, statement of editorial
policy, and headnotes; and selected
the illustrations) (Corrigenda: p. xvii,
l. 14: for as compromise read as a compromise;
p. xxvii under L&L: for Frags 13 read Frags
14; p. 60, l. 9: for anchor read sanction;
p. 66, ll. 12–13: for fundamental read prudential;
p. 66, l. 17: for practicality read practicability;
p. 72, l. 6: for and a read and not a; p. 75,
l. 7: for substraction read substratum; p. 80,
l. 9 of text (not headnote): for factors read facts;
p. 84, l. 5 of C's note: for dependency read dependancy;
p. 96, l. 9: for no satisfactory read receive
no satisfactory; p. 131, l. 27: for than A B read that
A B; p. 207, l. 5: for terms read term; p. 207,
l. 14: for contain it read or contain it; p.
352, l. 14 (Greek):
for logsmôn read logismôn;
p. 355, l. 26 (Greek): for thaumzein read thaumazein;
p. 362, textual notes e-f and g-h should begin: ms: . . .)
Guest-edited
journal:
Articles:
- "Coleridge's
Most Unfortunate Borrowing from A. W. Schlegel," in Christoph
Bode and Sebastian Domsch (eds.), British and European Romanticisms (Trier:
WVT, 2007), 131–42
- "Greek
Myths, Christian Mysteries, and the Tautegorical Symbol," The
Wordsworth Circle 36 (2005): 68
- "Northrop
Frye's Fearful Symmetry," Essays
in Criticism 55 (2005): 15972 [online
access for UW users]
- "Lucy,
Lucia, and Locke," Romanticism on the Net 3435
(MayAugust 2004 [i.e. January 2005])
- "How
Coleridge Was Wilder than Byron," Romanticism 10
(2004): 14457
- Seven
articles in the Encyclopedia
of the Romantic Era, 17601850, ed. Christopher John
Murray, 2 vols. (New York: Firzroy Dearborn, 2004):
- "Art
and Classical Antiquity"
- "Boullée, Étienne-Louis" (French
architect, 172899)
- "Jacobi,
Friedrich Heinrich" (German philosopher and novelist,
17431819)
- "Klenze,
Leo von" (German architect and writer, 17841864)
- "Robinson,
Henry Crabb" (English diarist, 17751867)
- "Schinkel,
Karl Friedrich" (German architect, painter, and designer,
17811841)
- "Symbol
and Allegory"
- "The
Metaphysical Foundation of Frye's Monadology," in Jeffrey Donaldson
and Alan Mendelson (eds.), Frye
and the Word: Religious Contexts in the Writings of Northrop Frye
(University of Toronto Press, 2004), 97104
- "Walter
Benjamin's Unacknowledged Romanticism," Lingua
Humanitatis 2 (2002): 16382
- "When
Is a Symbol Not a Symbol? Coleridge on the Eucharist," The
Coleridge Bulletin 20 (2002): 8592
- "Mind
as Microcosm," European
Romantic Review 12 (2001): 4352
- "The
Norton Critical Edition of Coleridge's Poetry and Prose," Romanticism
on the Net 19 (August 2000)
- "Why
Coleridge Was Not a Freudian," Dreaming: Journal of the Association
for the Study of Dreams 7 (1997): 13–28 (special
issue on Coleridge)
- "How
Christian Is the Coleridgean Symbol?" The Wordsworth Circle 26
(1995): 26–30
- "An
Anthropological Approach to the Romantic Symbol," European Romantic
Review 4 (1993): 13–33
- "From
Hierarchy to Opposition: Allegory and the Sublime," Comparative
Literature 44 (1992): 337–60
Professional activities:
Graduate supervision:
I have served
on PhD examination committees in English, Comparative Literature, German,
and Music, and am currently serving on PhD supervisory committees in English
and Comparative Literature. I am happy to hear from graduate students
and prospective graduate students whose interests lie (more or less) in any
of the areas I teach or research.
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