PUBLICATIONS:

 
Monograph:

“The Liturgical Perspectives of Piers Plowman B, XVI-XX,” Studies in Medieval and Renaissance History, N.S. 3 (1980), 87-155.

 
Editions and Anthologies:

MLQ 51, 3(1993, for 1992), special issue of journal containing essays on medieval English literature in honor of David Fowler.

Suche Werkis To Werche: Essays on Piers Plowman in honor of David C. Fowler.  East Lansing, Colleagues Press, 1993. 

 
Contribution to Books:

“Tossing Mak Around,” in Richard K. Emmerson, Approaches to Teaching Medieval English Drama (New York: MLA, 1990), 146-50.

“The Ending(s) of Piers Plowman A.” In Suche Werkis to Werche: Essays on Piers Plowman in Honor of David C. Fowler, ed. Míceál F. Vaughan (East Lansing MI, Colleagues Press, 1993), 211-41.

“Creating Comfortable Boundaries: Scribes, Editors, and the Invention of the Parson’s Tale.”  In Rewriting Chaucer: Culture, Authority, and the Idea of the Authentic Text, 1400-1602, edited by Thomas A. Predergast and Barbara Kline, (Columbus, Ohio State Press, 1999), 45-90. [Reviewed by Michaela Paasche Grudin in Review 23 [2001]: 111-16.]

 
Essays and Articles:

“A Reconsideration of ‘Unferth,’” Neuphilologische Mitteilungen, 77 (1976), 32-48.

“An Unnoted Translation of Erasmus in Ascham’s Schoolmaster,” Modern Philology, 75 (1977-78), 184-186.

“Consecutive Alliteration, Strophic Patterns, and the Composition of the Alliterative Morte Arthure,” Modern Philology, 77 (1979-80), 1-9.

“Beckett’s Naming of Godot,” Studia Neophilologica, 52 (1980), 119-122.

“The Three Advents in the Secunda Pastorum,” Speculum, 55 (1980), 484-504.

“Chaucer’s Imaginative One-Day Flood,” Philological Quarterly, 60 (1982), 117-123.

“Mak and the Proportions of the Second Shepherds’ Play,” Papers on Language and Literature, 18 (1982), 355-367.

“The  Prophets of the Anglo-Norman Adam,”  Traditio, 39 (1983):81-114.

“Charles of Orleans,” Dictionary of the Middle Ages, Vol. III (1984), 272-273.

“‘Til I gan Awake’: The Conversion of Dreamer into Narrator in Piers Plowman B.”  The Yearbook of Langland Studies 5 (1991), 175-92.

“The Secular Clergy in Piers Plowman: A Response.”  The Yearbook of Langland Studies  16 (2002), 118-29.

            “Hunting for the Hurt in Chaucer’s Book of the Duchess.” Lingua Humanitatis 2, 2 (2002), 85-107.

“Personal Politics and Thomas Gascoigne’s Account of Chaucer’s Death.” Medium Ævum 75 (2006), 103-22.

“Chaucer’s Canterbury Tales and the Auchinleck MS: Analogous Collections.” Archiv für das Studium der neueren Sprachen und Literaturen 242 (2005), 259-74.

 
Book Reviews:

John Burrow, Langland’s Fictions (Oxford, Clarendon Press, 1993), Studies in the Age of Chaucer 17 (1995), 182-85.

Rosemarie P. McGerr, Chaucer’s Open Texts: Resistance to Closure in Medieval Literature (Gainesville, University Press of Florida, 1998), ENVOI 8 (1998), 150-161.

James Dean, The World Grown Old in Later Medieval Literature (Cambridge, MA, The Medieval Academy, 1997), The Yearbook of Langland Studies 12 (1999), 189-94.

George Economou, trans. William Langland’s Piers Plowman: The C Version: A Verse Translation  (Middle Ages Series; Philadelphia, University of Pennsylvania Press, 1996. Pp. xxxiv, 262), Studies in the Age of Chaucer 20 (1998), 243-6.

Florence Percival, Chaucer’s Legendary Good Women: Cambridge Studies in Medieval Literature 38.  (Cambridge, Cambridge University Press, 1998), The Medieval Review 99.10.02 http://www.hti.umich.edu/cgi/t/tmr/.

Christopher Cannon. The Making of Chaucer’s English: A Study of Words.  Cambridge Studies in Medieval Literature 39. (Cambridge [UK]: Cambridge University Press, 1998), Medievalia et Humanistica: Studies in Medieval and Renaissance Culture 27 (2000): 118-20.

D. Vance Smith, The Book of the Incipit: Beginnings in the Fourteenth Century. (Minneapolis/London: University of Minnesota Press, 2001), JEGP 102 (2003): 143-46.

Anita Obermeier, The History and Anatomy of Auctorial Self-Criticism in the European
Middle Ages.  Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 32. (Amsterdam/Athens GA: Rodopi, 1999), Speculum 78 (2002), 236-39.

Emily Steiner, Documentary Culture and the Making of Medieval English Literature.  (Cambridge/New York; Cambridge University Press, 2003), JEGP 104 (2005), 294-96.

Ralph Hanna, London Literature, 1300-1380. (Cambridge/New York; Cambridge University Press, 2005), Speculum 83 (2007), ??-??

 
Notes, Newsletter Contributions:

“Medieval and Renaissance Studies at the University of Washington,” Chronica, 20 (Spring 1977), 3-6.

“Fractured Fairy Tale” (review of Pacific Northwest Ballet’s Nutcracker), The Weekly, 23-29 December 1987, p. 38.

“Dancing With Heroes.” Encore 5, 2 (1991-92): 16-17.

“Seattle Congress, 1-4 August 1992.”  The Chaucer Newsletter 14, 1 (Spring 1992): 1-2.

“Faculty Senate” columns, University Week, 1992-93.

“Piers Plowman: The E Version.”  Medieval Academy News (November 2001).

 
Scripts Produced:

Second Shepherds’ Pageant (in my translation), preformed at Greenspire Medieval Faire (dir. Marilyn Thornton), Seattle, WA, September 12-13, 1998.

Everyman (in my modernization), performed at Second Stage, Philadelphia (dir. Michael Steven Schultz), January 29-30, 1999.
 

FORTHCOMING

Articles:

“The Summoner’s Tale,” (commissioned for The Chaucer Encyclopedia).

“Pardon” and “Pardoner,” (commissioned for The Chaucer Encyclopedia).
 

WORK IN PROGRESS:

Book:

Taking Back the Canterbury Tales: The Reception and Transmission of Chaucer’s “Retractions.”

Article:

            “Piers Plowman: Getting from A to B”

Editions and Anthologies:

Sources and Anthologies for Chaucer’s Legend of Good Women.

Piers Plowman Electronic Archive edition of Piers Plowman (A Version) from Bodleian Library, Rawlinson MS 137.