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La Terre
et le Feu, for oboe and ensemble
Les
Raisons des Forces Mouvantes, for
organ
La Mesure
des Choses III. La Mesure de la Terre et du
Feu, for oboe and viola
Athanor,
for orchestra
BBC Symphony
Orchestra, London Sinfonietta, Pierre-André
Valade
Gareth Hulse,
oboe, Paul Silverthorne, viola
Hans-Ola
Ericsson, organ
Mode
Records
139; released September 2004
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Concerto for
piano and orchestra
String
Trio
Die innere
Grenze, for string sextet
Stefan Litwin
(piano)
Deutsches
Symphonie-Orchester Berlin, Bradley
Lubman
Trio de
l'Ensemble Intercontemporain
Sextuor
Schoenberg
Naive
Montaigne
(Fra) Mo 782093 (Distribution: Harmonia Mundi);
released 1998
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Press
Reviews
"The Concerto for piano and
orchestra offers a rare richness of new information and
inflections, and demonstrates a real architectonic care and
an accute, "Schoenbergian," sense of form. (...) In "Die
innere Grenze" for string sextet, the young French composer
affirms a fantasy whose unexpected turns keep the auditors
on their toes."
Le Monde de la Musique, December
1998
"The disc begins with one of the
composer's most imposing pieces, the Concerto for piano and
Orchestra.(...) Joël-François Durand assumes
brilliantly the heritage of the genre, placing the
traditional opposition of soloist-orchestra under the banner
of a lively, playful, colourful and polymorphous
modernity".
Diapason, November
1998
"From this disciple of
Ferneyhough we hear a major talent, a perception doubtlessly
reinforced through an uninterrupted reflection upon the
heritage of western music. If for many this is his first
exposure to the present composer, it's clearly under optimal
conditions, with excellent interpreters."
Scherzo - No. 130 December
1998
"Durand was born in France in
1954, which, from were I sit, makes him a young man with
what looks to be a bright future. (...) A kind of bravura
unrest informs the piano concerto, string trio, and string
sextet. Rather, however, than a socially relevant rage, the
disturbances play (happily) as Gallic-cool: a succession of
unanticipated intervallic leaps, harmonies, timbral mixes on
an irregular rhtyhmic footing. Which is certainly not to
remark an absence of quietude in the two pieces for strings
especially."
La Folia - 1.5
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