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Joël-François Durand, composer

DISCOGRAPHY

(Version française)


 

La Terre et le Feu, for oboe and ensemble

Les Raisons des Forces Mouvantes, for organ

La Mesure des Choses III. La Mesure de la Terre et du Feu, for oboe and viola

Athanor, for orchestra

BBC Symphony Orchestra, London Sinfonietta, Pierre-André Valade

Gareth Hulse, oboe, Paul Silverthorne, viola

Hans-Ola Ericsson, organ

Mode Records 139; released September 2004

Concerto for piano and orchestra

String Trio

Die innere Grenze, for string sextet

Stefan Litwin (piano)

Deutsches Symphonie-Orchester Berlin, Bradley Lubman

Trio de l'Ensemble Intercontemporain

Sextuor Schoenberg

Naive Montaigne (Fra) Mo 782093 (Distribution: Harmonia Mundi); released 1998

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Press Reviews

"The Concerto for piano and orchestra offers a rare richness of new information and inflections, and demonstrates a real architectonic care and an accute, "Schoenbergian," sense of form. (...) In "Die innere Grenze" for string sextet, the young French composer affirms a fantasy whose unexpected turns keep the auditors on their toes."

Le Monde de la Musique, December 1998

"The disc begins with one of the composer's most imposing pieces, the Concerto for piano and Orchestra.(...) Joël-François Durand assumes brilliantly the heritage of the genre, placing the traditional opposition of soloist-orchestra under the banner of a lively, playful, colourful and polymorphous modernity".

Diapason, November 1998

"From this disciple of Ferneyhough we hear a major talent, a perception doubtlessly reinforced through an uninterrupted reflection upon the heritage of western music. If for many this is his first exposure to the present composer, it's clearly under optimal conditions, with excellent interpreters."

Scherzo - No. 130 December 1998

"Durand was born in France in 1954, which, from were I sit, makes him a young man with what looks to be a bright future. (...) A kind of bravura unrest informs the piano concerto, string trio, and string sextet. Rather, however, than a socially relevant rage, the disturbances play (happily) as Gallic-cool: a succession of unanticipated intervallic leaps, harmonies, timbral mixes on an irregular rhtyhmic footing. Which is certainly not to remark an absence of quietude in the two pieces for strings especially."

La Folia - 1.5