PERFORMANCE, POWER, AND IDENTITY
IN GHANA
Music 445 SISAF
490
Winter 2005
1:30-4:00 Thursday
Music Bldg. 213
Prof.
Ter Ellingson
Office: 50 and 28D Music 543-7211
ellingsn@u.washington.edu
Ghana
is the Third World in microcosm, caught up in the great
21st-century clashes of global and local, religious and secular,
tradition and change, individual and community. In all of this, Ghanaians see all
around them many different pathways of constraint and opportunity that seem to
point in every opposing direction, towards every imaginable future, in a
society where people are relatively free to make important choices for
themselves, even as they feel pushed and pulled in many directions at once by
forces they may have little control over. No wonder that, with encouragement from
their culture, Ghanaians dramatize their conflicts and their choices in
performances that both mirror and reflect back upon the political, economic and
spiritual powers that shape and empower their lives, through which they forge
and declare their identities. This class will explore some of these
performances and their power and effect in the lives of the people who create
them. Prerequisites:
none.
Don’t
go here! Instead, visit the class website at http://faculty.washington.edu/ellingsn/Ghana_Perf.html