Slavic 426 Ways of Feeling:
Expression of Emotions
across Languages and Cultures
Winter 2014
Instructor: Katarzyna
Dziwirek Telephone:
543-7691
Office: Smith Hall M260 e-mail: dziwirek@uw.edu
Office Hours: Mon 1:30-2:20, Wed 4:30-5:20 and by appointment
TA: Bonnie
Layne Telephone: 543-0173
Office: Smith Hall 017 e-mail: bblayne@uw.edu
Office Hours: Wed 11:30-12:20, Fri 11:30-12:20
Class website: http://faculty.washington.edu/dziwirek/slav426/slavic426.shtml
Materials:
đ
Textbook:
& Wierzbicka, Anna. 1999. Emotions Across Languages and Cultures: Diversity and Universals. Cambridge: Cambridge University Press.
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Novel:
& Haden Elgin, Suzette. 2000. Native Tongue. New York: The Feminist Press.
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Readings on electronic reserves
Learning objectives/goals:
1. Learning about the diversity of cultural
attitudes to emotions
2. Learning about the diversity of linguistic
expressions of emotions
3. Learning a culture-free semantic description
4. Emotions as evolving concepts over time
Requirements:
uReadings:
This is a reading-intensive course. Do not let this scare you! The readings are
v. good! You will learn much! Start reading Native Tongue right away, so
that you are ready to discuss it in week 10. All readings are in English, and no prior specialized knowledge of Slavic
languages or linguistics is required. Reading the texts discussed in the class prior to that class is a must.
vClass Participation: You should be prepared to discuss assigned texts in class. Don’t just read, think about what you are reading and have an opinion! This class works when people care about what they have read and want to talk about it. (See handout on Reading and Class Discussion on the class website.) Worth 1/5 of your grade or more!!!
w
Short research papers (no email
submissions, spacing irrelevant, citations required, good writing
encouraged, best papers will be posted on the class
website)
#1
Attitudes to Emotions in your culture (January 27) Does your culture encourage emotional expression? What emotions are
appropriate to display in public by men, women, children?
What physical correlates of emotion are “allowed”: loud laughter, wailing,
weeping, jumping for joy, etc.? What do restrictions on emotional expression
tell us about the underlying cultural values? (3-4 pages) See examples on
the class website.
#2
Embodied emotions/The human face (February 10) There are two parts to this project: 1) Start developing a collection of
authentic emotion expressions (no models grinning at the paparazzi). It can be
on paper or electronic (10 points) 2) Analyze what features of the face and
body convey a specific emotion most clearly and what different images of one
emotion have in common. Can different emotions have similar facial expressions?
Bring your collection to class to discuss and test others’ ability to recognize
facial correlates of emotions. Pick one emotion, and based on the readings and
your research discuss what are the necessary facial and bodily ingredients that
go into a person’s physical display of this emotion. (2-3 pages, 20 points) See
examples on the class website.
#3 Special emotion words in your language (February 24). Does “your language” have unique emotion words? If so, discuss and define them. If not, comment on how concepts discussed in the readings in weeks 5 and 6 relate to words and concepts in your language.
#4 “Anger” in your language (March 5)
How do people talk about anger in “your
language”? What are the key words, expressions, and metaphors.
When is it appropriate to display anger in your culture? Who can show anger in
public? (3-4 pages) See examples on the class website.
# 5 Emotions: Universal or
Culture-Specific? (March 18) This
is the final project, a reflection on the course themes, the readings, class
discussions, and your conclusions about them: where do you stand on the
existence of universal/basic human emotions? Do people from different cultural
and linguistic backgrounds feel anger, love, pity, sadness, etc. differently partially
due to the language they speak? their gender? Or do we
all, due to our shared heritage as human beings, experience emotions similarly?
The paper should reflect what you learned in the class and refer to the
readings and class discussions. (5-6 pages)
Honors students:
Term
paper (7-10 pages) INSTEAD OF SHORT PAPER #5: You should discuss your
project with the instructor or TA and by February
19 email the instructor with your topic and three references (at least 2 print)
you plan to use. See the class website for hints on How to write a research
paper, consult the Selected References file, and check out Past
student paper topics. Also, check out this link: http://guides.lib.washington.edu/content.php?pid=55083&sid=429315
The final project includes an oral presentation of your research with a handout
on March 10 and 12. Students who receive a course grade of
3.9 or higher are encouraged to submit their papers for consideration for the Slavic Department’s Excellence Prize ($$$). Papers due March 18. No email submissions, no
extensions, yes incompletes.
Slavic
426 students may choose to write a final term paper instead of short project
#5. If they elect to do so, they should follow the guidelines above.
Honors students are encouraged to
archive items from this course in their Honors learning portfolios. Readings,
lecture notes, visual materials, music, poems, syllabi, tests, papers, etc, are
examples of items that might assist with reflection on experiential learning
and ways of thinking within and across disciplines. The Honors electronic
learning portfolios span students’ undergraduate years and are best used as an
ongoing, dynamic forum for the integration of knowledge. In addition to
archiving items, students are also asked to take a few minutes to write-up a
paragraph or two describing the significance of the archived items and how what
they learned in the course contributed to their larger experiences, goals, and
thoughts about education and learning.
Grading:
Total points = 200: Class participation = 40 points plus (points for being in class, points for speaking up), short research papers #1-4 = 120 (4 x 30), short research paper #5= 40. Honors students: Total points 240: Class participation = 40 points plus, short research papers #1-4 = 120 (4 x 30), term Paper = 80 (paper =50, presentation = 15, handout = 15). Slav 426 students who chose to do the final paper instead of short research paper #5 = 240 points.
Slavic 426:
Course Outline and Reading List
Symbol key:
R = electronic reserves item
T = textbook
WEEK 1: What
are emotions? How do people talk about them?
January 6
Introduction to the course themes and topics
January 8
T Chapters 1, 2 (Introduction, Defining emotional concepts)
WEEK
2: Introduction to Metaphor,
Cultural Attitudes to Emotion
January
13
R Zoltan Kovecses, Metaphor and Emotion Chapters 1-2
R Anna Wierzbicka, Cross-Cultural Pragmatics, Chapter 3 (Attitudes) 121-130
R Eric G.
Wilson, Against Happiness: Introduction and Conclusion
R Anna Wierzbicka, “Happiness” in cross-linguistic & cross-cultural perspective
January 15
T Chapter 6 (Emotional norms across languages and cultures: Polish vs. Anglo-American)
R Richard Wilkins and Elisabeth Gareis,
Emotion expression and the locution
‘‘I love you’’: A cross-cultural study
R Wendy
Langford, Bunnikins, I love you snuggly in your warren
WEEK
3: Cultural Attitudes to Emotion
January
20: Martin Luther King’s Day
January
22
R Hazel Rose Markus and Shinobu Kitayama, The Cultural Construction of Self and Emotion: Implications for Social Behavior
R Rie Hasada, Cultural Scripts: glimpses into the Japanese emotion world
R Ake Daun, Swedishness as an Obstacle in Cross-Cultural Interaction
WEEK
4: Physical Correlates of Emotions
January
27
· Part of Human Language video
T Chapter 5 (Russian emotional expression)[1]
T Chapter 4 (Reading Human Faces)
!
Short research project #1 due
January
29
R Cenita Kupperbusch, et al. Cultural Influences on Nonverbal Expressions of Emotion
R Zhengdao Ye, Why the “inscrutable” Chinese face? Emotionality and facial expression in Chinese
R Jonathan Cole, Living with difficulties of
facial processing
R Ning Yu, Metaphor, Body and Culture: The Chinese understanding of gallbladder and courage
· Videos
on body language and gesture
WEEK
5: Emotional Diversity? Culture-Specific Conceptualizations of Emotions
February 3
$ Discussion of image collections
R Anna Wierzbicka, Semantics, Culture, and Cognition, Chapter 4 (Describing the Indescribable)
February 5
R Catherine
Travis, Omoiyari as a core Japanese value: Japanese style
empathy?[2]
R Rie Hasada, Two “virtuous emotions” in Japanese: Nasake/joo and jihi
R Irina B. Levontina and Anna A. Zalizniak: Human
Emotions viewed through the Russian language
R Monika Bednarek and Wolfram Bublitz, Enjoy!: The (phraseological) culture of having fun
WEEK
6: Culture-Specific Conceptualizations of Emotions continued
The Linguistics of Emotions: Do
Parts of Speech Matter?
February 10
T Chapter 3 (German Angst)[3]
R Cliff
Goddard, ‘Hati’: a key word in the Malay vocabulary
R Ning Yu, The Chinese conceptualization of the heart and its cultural context
R Anna Wierzbicka, A culturally salient Polish emotion: ‘przykro’
R Ethan Watters, Suffering Differently (NYT)
! Short research project # 2 due
February
12
R Anna Wierzbicka, Adjectives
vs. verbs: the iconicity of part-of-speech membership
R Anna D. Mostovaja, On emotions that one can “immerse into”, “fall into”, and “come to”: the semantics of a few Russian prepositional constructions
R Kat Dziwirek, A Folk Classification of Polish Emotions: Evidence from a Corpus-Based Study
R Gunter Radden, The conceptualization of emotional causality by means of prepositional phrases
WEEK 7: Universal Human Emotions? The Case of “Anger”
February
17: Presidents’ Day
February
19
R Anna Wierzbicka, “Sadness” and “anger” in Russian: The non-universality of the so-called “basic human emotions”
R George Lakoff and Zoltán
Kövecses, The cognitive model of
anger inherent in American English
R Uwe Durst, Why Germans don’t feel “anger”
!
Email instructor with term paper
topic and 3 references (at least 2 print)
WEEK 8: Universal Emotions? The Case of
“Anger” continued, Emotions across
Time
February
24
R Agnieszka Mikołajczuk, The metonymic
and metaphorical conceptualization of anger in Polish
R John R. Taylor and Thandi G. Mbense, Red dogs and rotten mealies: How Zulus talk about anger
R Keiko Matsuki, Metaphors
of anger in Japanese
R Pawel Kornacki, Concepts of anger in Chinese
! Short research project #3 due
February
26
R Rom Harre and Robert Finlay-Jones, Emotion Talk across Times
R Dirk Geeraerts and Stefan Grondelaers, Looking back at anger. Cultural traditions and metaphorical patterns
R Wolfgang Teubert, When
did we start feeling guilty?
R Marika Kalyuga, Antonina Harbus, Expressing Love in English and Russian:
Common and Language-Specific Features
WEEK
9: Emotions across Time continued
Are There Gender-Specific Emotions?
March
3
From Peter Stearns, American Cool: Constructing a Twentieth-Century Emotional Style
R Chapter 7 “Impersonal but Friendly”: Causes of the New Emotional Style
R Chapter 8 The Impact of the New Standards: Controlling Intensity in Real Life
R Chapter 9 The Need for Outlets: Reshaping American Leisure
March
5
R Michelle C. Alexander and Wendy Wood, Women, men and positive emotions: A social role interpretation
R Robyn Fivush and Janine F. Buckner, Gender, sadness, and depression: The development of emotional focus through gendered discourse
R Marianne
LaFrance and Marvin A. Hecht, Option or
Obligation to Smile: The Effects of Power and Gender on Facial Expression
! Short research project #
4 due
WEEK
10: Native Tongue and summary
of course themes
Presentations of term research papers
with handouts
March
10
Discussion of Suzette Haden Elgin’s Native Tongue (discussion questions on electronic reserves)
T Chapter 7 (Emotional Universals)
Presentations of term papers
March
12
Presentations of term papers
Course evaluations
FINALS
WEEK:
March
18
Research
project #5 and term papers due by noon under the door in Smith M260
No
email submissions, no extensions, yes incompletes.
[1] Those interested in Russian emotion words should also see Wierzbicka’s Russian Cultural Scripts: The Theory of Cultural Scripts and Its Applications on electronic reserves.
[2] Those interested in Japanese emotion words should see Wierzbicka’s Understanding Cultures Through Their Key Words, Chapter 6 (Japanese Key Words and Core Cultural Values).
[3] Those interested in German culture should see Wierzbicka’s German Cultural Scripts: public signs as key to social attitudes and cultural values on electronic reserves.