Music Education Faculty
"Just Kidding!
We're down below."
*Patricia Shehan Campbell, Professor,Music Education
Ph.D., Kent State University; B.F.A., Ohio University; (on
leave 1995-96)
Prior to her appointment at UW, Patricia Shehan Campbell served on the
faculties of Washington University in St. Louis from 1981-86, and Butler
University in Indianapolis from 1986-89, where she was chair of the
department of Music Education. Campbell's interests include music in
early and middle childhood, multicultural music education, and the use of
movement as a pedagogical tool. She has conducted clinics and delivered
keynote addresses at numerous national and international conferences.
She has published on the issues of crosscultural music learning, music
preference, and music methods for children in such journals as Music
Educators Journal, Journal of Research in Music Education, Council on
Research in Music Education, Psychology of Music, International Journal
of Music Education, Journal of Music Therapy, the British Journal of
Music Education, and American Music Teacher. She is author of Lessons
from the World, and Sounds of the World: Music of Southeast Asia, Music
of Eastern Europe, co-author of Multicultural Perspectives in Music
Education, From Rice Paddies and Temple Yards, silent Temples, Songful
Hearts, The Lion's Roar: Chinese Luogu Percussion Ensembles, Roots and
Branches, and Music in Childhood. She has served on the editorial boards
of the Music Educators Journal (1986-90) and the Journal of Research in
Music Education (1990-96). Campbell is an active member of the Music
Educators National Conference, The College Music Society, the
International Society for Music Education, and the Society of
Ethnomusicology, where she serves as chair of the Education Committee
since 1988.
Tom Collier, Percussion and Jazz Pedagogy
B.A., University of Washington
Tom Collier is a vibraphonist, drummer and percussionist with expertise
as well in jazz, popular music and MIDI technology. He is a respected
artist in Seattle as well as in Los Angeles and is listed in the first
edition of Marquis Who's Who in Entertainment. His 1988 album "Illusion"
received national critical acclaim ("a technological marvel" - Electronic
Musician Magazine).
Roy Cummings, Jazz Pedagogy
B.M., University of Washington
Roy Cummings is a first-call performer and band leader in Seattle. He
studied with Raymond Crisara (N.Y.C.) and Vincent Cichowitz (Chicago).
He has performed with the Seattle Symphony, The Seattle Opera Orchestra,
and numerous show orchestras including a Chorus line, No No Nanette, and
West Side Story. He has also performed with Tony Bennett, Dionne
Warwick, Peggy Lee, the Spinners, Harry Belafonte, Johnny Mathis and many
others. Cummings is the conductor for numerous Seattle area events
including the Marrowstone Music Festival, the Ice Follies, and the
Bellevue All-Star Jazz Ensemble. He appears frequently as a clinician,
adjudicator and guest artist throughout the Northwest and Canada.
*Steven M. Demorest, Assistant Professor, Music Education
Ph.D., University of Wisconsin, M.M. Westminister Choir
College, B.A. Luther College
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Steven M. Demorest is a choral music education specialist
with a background in group vocal techniques, technology and sight-singing
research. Demorest has worked with such renowned conductors as Weston
Noble, Joseph Flummerfelt and Robert Fountain. He has conducted and
taught on both the high school and college level, and is currently the
music director for the Pacific Northwest Chamber Chorus, a select 45-voice
adult ensemble in Seattle. Dr. Demorest is a nationally known clinician
having recently presented sessions at the Music Educators National
Conference and the Washington Music Educators Association Conference. He
is the author of articles on choral music pedagogy and research in the
Journal of Research in Music Education, the Choral Journal, the Music
Educators Journal, and Update: Applications of Research in Music
Education. He is currently research chair for WMEA and a member of the
editorial board of the Music Educators Journal.
Barbara Lundquist, Professor Emerita
D.M.A., University of Washington; M.S., Montana State
University
Author of numerous articles on music education and systematic
musicology,
Barbara Lundquist is an internationally known author and clinician in
multiethnic
multicultural music education. She is president of the College Music
Society, and has served on the CMS board and committees in various
capacities. She has been a member of executive board of the MENC Society
for General Music and the Society for Music Teacher Education, a member
of Standing Committee for Music Education of the Society for
Ethnomusicology, and of the editorial board of Design For Arts In
Education. Lundquist was a consultant for the Yamaha Music in Education
Project, and for the Annenberg Distance Learning Audio course on Basic
Concepts of Music. She has served as Curriculum consultant for music
education in Malawi and Mozambique-Central Africa for the United States
Information Service. Her research and curricular philosophy are featured
in articles in the Council on Research in Music Education, the Music
Educators Journal, the International Journal of Music Education, and the
College Music Symposium.
Steven J. Morrison, Assistant Professor,
Music Education
Ph.D., Louisiana State University; M.M., University of
Wisconsin; B.M.,
Northwestern University
An instrumental music specialist, Steven Morrison has taught at the
elementary, junior high and senior high levels in Wisconsin, Michigan and
Louisiana. He has conducted and arranged for school and university bands,
orchestras and chamber groups throughout the U. S. In addition to his
work in instrumental teaching and learning, Dr. Morrison is active in
research investigating music preference and the relationship of musical
responses to diverse cultural contexts. Prior to joining the UW faculty,
Dr. Morrison served as Lecturer of Fine Arts at the Hong Kong Institute of
Education. He has spoken and presented research throughout the United
States as well as in Amsterdam, Amman, Seoul and Hong Kong. His articles
have appeared in the Music Educators Journal, the Journal of Research in
Music Education, the Bulletin for the Council of Research in Music
Education, Update: Applications of Research in Music Education, the
Missouri Journal of Research in Music Education, Recorder: Ontario Music
Educators Association Journal, the College Music Society Newsletter and
Southern Folklore. Dr. Morrison is a member of the Music Educators
National Conference, the College Music Society and the International
Society for Music Education, and is National Chair-elect of the Perception
Research Interest Group of the Society for Research in Music Education.
*Tim Salzman, Associate Professor, Director of Wind Ensembles
M.M., Northern Illinois University; B.M.E., Wheaton
college.
Under Tim Salzman's direction, the UW Wind Ensemble has performed at a
number of conventions including the Northwest Music Educator's
Convention, the Washington Music Educator's Convention, and the
Western/Northwestern Division Convention of the College Band Director's
National Association. Prior to his appointment at the UW. he served as
director of Bands at Montana State University where he founded the MSU
Wind Ensemble. From 1978 to 1983 he was band director in the Herscher,
Illinois public school system. During his tenure at Herscher the band
program received several regional and national awards in solo/ensemble,
concert and marching band competition. He has numerous publications for
bands with the C.L. Barnhouse, Arranger's Publications, Hal Leonard and
Columbia Pictures Publishing companies, and is on the staff of new music
reviews for The Instrumentalist Magazine. Salzman is a national
artist/clinician for the Yamaha Corporation of America and has been a
conductor, adjudicator or arranger for bands in over thirty states,
Canada, England and Japan.
*Potential Members of Supervisory Committee