Winter Quarter ’06– <<>>
We will be posting supplemental material to this site during the quarter. I don't expect to leave things up here indefinitely--so if you need it, read it or download it soon. Posted 20 February: Your portfolio project has two parts. The first is the course portfolio. This is a collection of your writing for the quarter, along with a short 2-3 page essay about your work in the course. I'll hand out a hardcopy assignment on February 22nd. This hardcopy portfolio is due on the last night of class--March 8. The Second is the Major Portfolio--which I described on the opening course syllabus. Below is a somewhat expanded version of that assignment: The Major Portfolio asks for an e-Portfolio display of three to five pieces of work you’ve done as an English major, along with a three to four page reflective essay that explains Why you have picked the papers you have, and How those writings show your strengths. You have great freedom about what to include—the only constraints are that these must indeed be papers you wrote for classes 200-level and above, and that these are pieces whose strengths and challenges your accompanying reflective essay will explain. You will also choose your own audience. Possible audiences include a potential employer, the Department of English or Evening Degree Studies, your family, a graduate or professional school, or me, as the professor of this class. In evaluating your Major Portfolio I will not be re-grading your papers. It really doesn’t matter to me what grades you received. What does matter is the acuity of your selection and the quality of your commentary. I will look at the clarity and focus of the way you articulate what you have achieved relative to the goals you have defined, and the appropriateness and relevance of the evidence you offer in support. Take care, too, not just to create a spin job! You should be aware not just of strengths, but of the ways in which you still are working to build strengths—and where you currently are in that process. In all, keep in mind that you are in effect making an argument. How you make that argument, and to whom, is up to you. Due electronically no later than Wednesday, March 15, at 7pm PST. Posted 6 February: Utopian Dreams Knowing what you now know about your learning over the past few years, think both about what has made your work here good, and what might have made it even better. Think about what the ideal outcomes of an English or Humanities major would be for you, and then think about how those might best be achieved. Think about the kinds of courses such a major would require (or not require), the kinds of texts—literary and non-literary texts—you would read, the kind of classroom environment that worked best for you, and the sorts of projects, written or otherwise, faculty might ask you to do. Work from what you know—your own experience. What should a more perfect program emphasize? What should it de-emphasize? Then write a 5-7 page Utopian view of an English major. What learning goals should such a major have? How would it best set itself up to achieve them? What should be required, and how should it be orchestrated? What would happen in the classes you took? What pedagogy would these courses adopt? My reading criteria will again be: specifics, fullness, and So What—or Power; you are making an argument here. No one is going to change anything just by the force your assertion. But you have experience to draw on, and you know something both about how professionals in the field have been urging its reform, and about how your own classmates have experienced the major today. As with the first paper, we will be publishing these for
the class to read and respond to—and, I hope (but only with your
permission), to share with members of the English Department faculty
who have for the past three years been redesigning the English major.
Posted 3 February: Questions raised by Educating Rita
27 January: Letter to class Thanks for a great class on Wednesday. I wanted to send an update, summarizing the discussion we had about the "point" of the readings we have been doing so far--both for those of you who took part in it on Wednesday, and for those of you who couldn't get to class. In essence, through the readings of the past three weeks I have been trying to enable you to write a deeper and more fully informed "Looking Back" paper by making available to you some sense of the conversations of the past 40 years about education in general and about English in particular. You have now read about some of the battles in our discipline—and you’ve read work from some of the major players in those disputes. I don’t ask that these all pop up in what you write—I ask only that you write with a clearer, more problematic, more critical awareness of the educational experiences you have had. I’m not looking for you to declare either that you’ve been victimized by the banking theory of education, or that you’ve been born again transformed by liberation pedagogy. You certainly may write that, if that is a way of making sense of the dozens of different experiences you have undergone. But my point is: none of the courses any of you has taken
is value-free. Certain ways of thinking and certain goals for learning
are implicit in any course, whether anyone talks about them or not. These
trends, claims and practices are all out there. See you Monday. John 19 January: Letter to Class Thanks to those of you in class last night for being such good hosts for Vivyan Adair's visit. I told you I'd give you the URL for her project's exhibit site so you could revisit essays, or see some of those you didn't have time to see last night. It is: http://www.hamilton.edu/college/access/ACCESS_GALLERY_GUIDE.pdf If you want more information about ACCESS, you can just do:
I didn't want to embarrass her by too fulsome praise, but Vivyan is not only an extraordinarily hard working and hard thinking teacher, she was recognized two years ago by the Carnegie Foundation as New York State's Teacher of the Year. I hope you could get some sense last night of both the committment and enthusiasm she brings to her work. As far as changes to the syllabus go, I will post the whole thing later today--but for those of you unable to get to class, please look to see the assignment revision on the update/assignments page:
Main change: recognizing that with the two missed Monday classes, we just haven't done all I'd like us to do before the Looking Back paper is due, I've set the due date for that as January 30. Instead we'll read Utopia for Monday (a work of enormous power in the reconceptualizing of "education" in western culture--and it also has at least two jokes in it). See the Website for the response paper assignment. See you Monday. John |
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