Week 3 Notes
Lecture1: Realist
Writers Minna Canth and Juhani Aho
I. Minna Canth and Juhani Aho
a. History 1: Economic and Social Change
b. History 2: Changing Ideas
c. Canth and Aho’s Realism
d. Case Studies:
i. “The Nursemaid”
ii. “The Watch”
e. Study Questions
II. History 1: Economic and Social Change
a. Economic change
i. Agrarian economy
1. In-kind exchange
2. Yearly contracts
ii.
iii. First railroad 1862
iv. Towards a cash economy
b.
Social
change
i.
Increasing movement of people
ii.
Growth of production centers
iii.
appearance
of poverty and inequality
III.
History 2: Changing Ideas in
a. Engineering social progress
b. Science
i. Empiricism (observation to determine collect data)
ii. Positivism (Deriving laws of nature and society from observations)
iii. Charles Darwin
c. Industrialization
d. Liberalism
i. Emancipation
1. gender
2. class
3. race
ii.
John Stuart Mill’s On
IV. Canth and Aho’s Realism
a. Realism
i. Style of writing
ii.
Period of literary history (1880s in
b. Realism
in
i. Not “expression”
1. Lönnrot
2. Runeberg
ii. Description
iii. Social questions and problems
V. “The Nursemaid”
a. Description
i. Emmi’s feelings presented through exterior description
ii. Events provide dramatic action
b. Not idealization, but ugly, everyday problems
i. Disadvantage protagonist—as the title suggests
ii. Emmi wins our sympathy through suffering
c. Not expression of national culture, but attention to social inequality
i. Gender
ii. Class
VI. “The Watch”
a. Observation
i. Social change seen through a particular experience
ii. New urban habits
b. Impressionistic
i. Sketch-like (“shavings”)
ii. Realistic picture quickly drawn
VII. Modern technology and its effects
a. New ambitions
b. New symbols
VIII. Study Questions
a. How do you feel toward Emmi? How do you feel toward Martti?
b. Are different attitudes expressed toward Emmi and Martti by each author? How?
c. How would you compare the attitude of these authors toward their characters with texts we’ve read earlier in the quarter?
d. Do you think these stories would have been judged “beautiful” by readers of the time?
Discussion: Canth, Aho, Pakkala
I. Study Questions for Canth and Aho
a. How do you feel toward Emmi? How do you feel toward Martti?
b. Are different attitudes expressed toward Emmi and Martti by each author? How?
c. How would you compare the attitude of these authors toward their characters with texts we’ve read earlier in the quarter?
d. Do you think these stories would have been judged “beautiful” by readers of the time?
II. Teuvo Pakkala
a. Are “Liars” and “The Bishop’s Pointer” told in a similar way to Canth and Aho’s stories?
b. Do you relate toward Lyylia and Hanna in a similar way to the one in which you relate toward Emmi and Martti? Why or why not?
c. What do you think about Aukusti and Santeri in the “Bishop’s Pointer?” Does this story differ in “tone” from the others?[1]
d. What kind of attitude does it encourage in the reader?
III. Young characters
a. How would you compare children and young people in the stories we’ve read with adult characters?
b. Are they described in different ways?
c. Why do you think young characters figure so prominently in the stories we’ve read?
d. Do you think the prominence of young characters tends to make these stories pessimistic or optimistic?
Lecture 1: Symbolism
and Karelianism
I.
Symbolist Poetry in
a. Culture as conversation
b. What is symbolism?
c. What’s
the connection between symbolism and
d. Why
is Valter Juva and Otto Manninen’s poetry symbolist?
II. Culture as Conversation
a. Social Struggles and Realism
i. Problems of emergent industrial society
ii. Realism describes problems
iii.
External perspective
b. Symbolism rejects literature of realism
c. Symbolists escape inward to imagination
i. Myths (Kalevala, Greek myths, Dreams)
ii. Ideal pictures
III. What is symbolist poetry?
a. Symbol: “a real object which represents, or “stands for” something else.
b. 1890-1900s
poetic movement in
i.
1850s onward in continental
ii.
Reaches
c. Belief in fallen, decaying world
i. Creation also destroys
ii. Pessimism
iii. Death
d. What are sources of beauty and escape?
i. Removal from suffering reality
ii. Art as beautiful illusion
iii. Ancient myth and fantasy
iv.
Ambiguity and interpretation
IV. Examples of Symbolism
a. Symbolist
art in
i. Akesli Gallen-Kallela
ii. Painter and graphic artist
iii. “Lemminkäinen’s Mother”
b. Symbolist
music in
i. Jean Sibelius
ii. Composer
iii.
Karelian
c. “Karelianism”
i.
Artists go to
ii.
Sibelius, Gallen-Kallela,
Juva, Leino
V. Why is Valter Juva and Otto Manninen’s Poetry Symbolist?
a. Valter Juva (1865-1922)
i. Images of nature and symbols of national past
ii. Famous Karelianist
iii.
“Karelian hills” “Cuckoo”
“Longing”
b. Otto Manninen (1872-1950)
i. Writings from 1905, 1910
ii. Compressed images of longing, death
iii.
“sea,” “singing swan,” “embers”
[1] By tone, I mean the reflection of the narrator’s attitude toward his characters and the reader in the manner, mood, and moral outlook of the writing. How does the way the story is told convey an attitude toward its events, and how you read them?